The Legacy of the Beatles

Research on the legacy of the Beatles and its economic and cultural value for Liverpool is being conducted by a team of researchers from the IPM, the Institute of Cultural Capital (Universities of Liverpool and Liverpool John Moores) and the European Institute of Urban Affairs (Liverpool John Moores). Mike Jones (IPM) has contributed research on the cultural value of the Beatles, which included investigating gaps in the current tourism offer and the potential value of the band should these gaps be filled. The resulting report considers additional benefits of being linked to the Beatles 'brand' and their impact on the global reputation of the city.

“Helping Liverpool understand and make best use of its cultural capital is a major aim of the Institute of Cultural Capital and we are excited to be working with colleagues across both Universities and the city on this project.”  (Simeon Yates, Director, Institute of Cultural Capital)

The Beat Goes On

beat goes on.jpg

The Beat Goes On, a four-year project exploring the popular music history of Merseyside, resulted in an exhibition staged at World Museum Liverpool, which ran for 15 months and attracted 478,188 visitors. Led by Sara Cohen and Marion Leonard, the project was based on a partnership with National Museums Liverpool (NML) and the exhibition was curated by Marion during a secondment to NML. Among the many diverse exhibits were 200 items from the IPM Collections and Mapping the Beat, a digital interactive installation produced by Sara and Brett Lashua and supported by the Arts and Humanities Research Council and English Heritage. The exhibition was accompanied by The Beat Goes Online, an online resource produced by a team of IPM staff and research students, and the book The Beat Goes On edited by Marion Leonard and Rob Strachan.  Read more here...


EXPLORING THE vocal aesthetics of Age

Emily Baker is currently identifying a range of case studies through which to explore how Age manifests itself in the voice. During 2015 she presented papers on this research at the Postgraduate conference of the International Association for the Study of Popular Music and the University of Cambridge. Whilst shaping chapters for her doctoral thesis around singer-songwriters Dolly Parton and Joni Mitchell, Emily is also preparing to present a paper for a conference on gender and music at Öbebro University. Her paper at the Sweden event will explore the application of autotune to older voices and the implications of this.


Hip Hop and the film soundtrack

James Millea is investigating the relationship between hip hop music and the soundscape of the New Black Realist films of the 1990s. Specifically, his doctoral research focuses on how the aesthetics of hip hop is mediated through film, reshaping the possibilities and functions of the filmic soundtrack. James argues that in mapping the aesthetics of hip hop music and the (re)structuring and (re)organisation of sonic material, we can explore how African-American mélomanes at the turn of the twentieth-century used film and its soundscape to explore their contemporary, subcultural existence.  


Musical Film, Memory and Wellbeing

The use of musical film to generate reminiscences and improvements in wellbeing among the over 65s is being explored through this project, which draws on research into Brazilian popular and film music by Lisa Shaw (IPM), and on representations of Liverpool in film by Professor Julia Hallam (Department of Communication). Lisa is currently working with a health centre in Petrópolis, Rio de Janeiro state, Brazil, to engage people through her extensive research on Carmen Miranda, and on the Brazilian musical comedy tradition known as the 'chanchada', which dominated film production in Brazil in the 1950s and early 1960s. The project began with a pilot study involving a BUPA nursing home in Liverpool:

“We are always looking for ways to help our residents maintain community connections and feel part of the wider city around them – which this project did."  (Ruth Neeson, Activities Coordinator at Rowan Garth nursing home)


POPID

Popular Music Heritage, Cultural Memory and Cultural Identity (POPID), a three-year project exploring how histories and memories of popular music shape identity and notions of heritage. Supported by the European Humanities in the Research Area Joint Research Programme, it involved collaboration between researchers in England, the Netherlands, Austria and Slovenia. The England research was conducted by Sara Cohen (Director), Les Roberts (Research Associate) and Gurdeep Khabra (Phd student). It included interviews with those working in music, media, tourism and heritage industries, and with audiences who were invited to create maps of their musical memories. Follow-on projects included a collaboration with the Rotterdam Film festival; the 'Sites of Popular Music Heritage' conference and edited book; the short film 'Pop Goes Heritage'; and IPM project Music, Photographs and Cultural Memory.


K-POP ON THE GLOBAL PLATFORM

The London K-Pop Cover Dance (LoKo) students dancing

The London K-Pop Cover Dance (LoKo) students dancing

The K-Pop phenomena and its reception in Europe is explored by Haekyung Um (IPM) in collaboration with Sang-Yeon Sung (University of Vienna) and Michael Fuhr (Hanover University), and with support from the Korean Foundation for International Cultural Exchange. A monograph based on the research and published by Routledge will examine how K-Pop has taken root in Europe as a new form of cosmopolitan youth culture connected to identity politics, aesthetic desires and entrepreneurial incentives.


Where Light Falls

Performance of Where Light Falls, Firth Hall Sheffield

Performance of Where Light Falls, Firth Hall Sheffield

'Where Light Falls: Songs about Joni Mitchell' involved collaboration between the IPM researcher and lyricist Mike Jones, Argentinean born guitarist Alejandro Sancho and singer Rosie Brown. Together they created a rich biographical body of work in song, exploring the artist's career and complicated personal life, joys and trials, the love she walked away from to fulfil her artistic dreams, her life as a painter, and her conflicts with fame. The project involved a series of live performances (Photos by Tracey Welch)


Pop Nostalgia, Pop Canonization and Korean Music Reality Shows

Supported by the Korea Foundation (2015), this project explores how Korean TV music reality programmes contribute to the revival of Korean popular music of the recent past through performance, mediation and mediatisation. Case studies include 'The Mystery Music Show' (MBC, since February 2015), 'Eternal Classics' (KBS, since June 2011) and 'I Am a Singer' (MBC, March 2011-April 2015). Conducted by Haekyung Um (IPM), the research examines how the resurgence of late twentieth century Korean pop repertoire is connected to nostalgia, and how this shapes the process of pop canonisation and the creation of popular music heritage in the 21st century. Chinese version of Korean music reality shows are also being examined, along with South Korean producers' involvement in Chinese production, in order to examine transcultural flows of Asian media culture and the translocal movement of cultural industry labour.


Collecting and Curating Popular Music Histories

A music memory 'map' produced for the POPID project

A music memory 'map' produced for the POPID project

An eighteen-month project exploring practical and theoretical issues involved with preserving and representing popular music in a museum. The project was directed by Marion Leonard and supported by the Beyond Text programme of The Arts and Humanities Research Council, and involved a partnership with National Museums Liverpool and the V&A Museum in London. The research was conducted by Marion and Robert Knifton and project outputs included the Mixcase exhibition staged at Liverpool’s Victoria Gallery and Museum and featuring materials from the IPM Collections.


Popular Musicscapes

A two-year project examining popular music and urban landscape in order to address topical debates concerning culture, creativity and urban regeneration. The project explored how Liverpool-based musicians engaged with the changing city through archival and ethnographic research, and the use of maps and map-making. Supported by the Arts and Humanities Research Council, the research was conducted by Sara Cohen (Principal Investigator) and Brett Lashua (Research Associate) in partnership with English HeritageNational Museums Liverpool and urban arts company Urbeatz. Project outputs included a digital interactive installation at Liverpool World Museum, commercial audio releases and public performances. Follow-on projects included a community-based film about the African and Caribbean clubs of Liverpool 8 and the Liverpool One project involving the recording and release of an album of original material.


MUSIC, REPERTOIRE AND VALUE

Hallé Orchestra members receiving their Twenty Year Service medals

Hallé Orchestra members receiving their Twenty Year Service medals

A three-month project exploring the Manchester Hallé Archives, a significant and comprehensive but under-utilised collection of documents relating to the Hallé’s history and operation. The project focused on the Orchestra’s activities during the 1943-44 season when there was a dramatic increase in the number of women orchestral players and in audience numbers, changes in repertoire, and performances in non-traditional venues such as dance halls and a circus. It resulted in a virtual exhibition and GPS tour launched to coincide with the Manchester International Festival, and a workshop bringing together music archivists and researchers from across the UK and Ireland. The research was conducted by postdoctoral researcher Jacky Waldock and supported by The Arts and Humanities Research Council. The project was led by Sara Cohen (IPM) in collaboration with Margaret Procter (Department of History, University of Liverpool) and Eleanor Roberts (Trust and Research Manager, Manchester Hallé).  


MUSIC, PHOTOGRAPHS AND CULTURAL MEMORY

A music memory 'map' produced for the POPID project

A music memory 'map' produced for the POPID project

Members of the public are being invited to visit the significant but under-utilised archives of the Open Eye Gallery (OEG) and IPM, and select materials that resonate with their lives, interests and experience. Using these materials they will co-curate an exhibition and concert staged at the Open Eye Gallery and open to the public free of charge. Based in one of Liverpool’s most prestigious and prominent new developments, the Open Eye Gallery and its photographic archive is positioned at the heart of the city’s regenerated Waterfront. Led by Sara Cohen, the project involves collaboration between the IPM, the Open Eye Gallery, Liverpool Jazz and Radio Merseyside, and is supported by competitive awards from the Arts and Humanities Research Council and the University of Liverpool. The IPM research team includes Sara, Les Roberts, Mike Jones and Áine Mangaoang. The project is underpinned by research that Sara and Les conducted for the POPID project, which included research with audiences to map their musical memories.


Twilight City

Twilight City  involved a series of four high profile audiovisual performances paying tribute to Liverpool's potentially overlooked spaces, including industrial and business buildings, the city centre and the suburb. Conducted by Rob Strachan (IPM) as part of the electronic music collective HIVE, each event involved a reworking of familiar sounds and a distorting of familiar sights, and state of the art projected visuals. Read more here...

 


Pop, Passion and Politics

A project exploring the relationship between music and politics through materials from the IPM Collections. It resulted in an exhibition staged at the Lodge of the Vice-Chancellor of the University of Liverpool and comprising 34 specially framed panels. The exhibition was curated by Sara Cohen, Mike Jones and Paul Sillitoe from the IPM. 


ELECTRIC BLANKET 

Electric Blanket was an interactive digital audiovisual project exploring the memories of sheltered housing residents aged 55 to 80. It explored the process of remembering through physical media such as recordings, photographs and film; the power of sound to solicit memory; and the transience of both memory and media. It involved video interviews and oral histories with the residents, and audio recordings of sounds that were a significant part of their memories. Co-directed by Rob Strachan (IPM) and commissioned by Tennantspin, The Foundation for Art and Creative Technology (FACT) and Arena Housing, the project resulted in a digital archive and an installation at FACT, one of the UK’s leading digital arts institutions.